Tomisin Adepeju's short film has emerged the winner of the Best film award at the debut edition of the Surreal16 film festival.
BFI selects participants for 2019 LFF development programme →
The British Film Institute (BFI) has named the 12 writers, directors and producers who will take part in its annual NETWORK@LFF professional development programme.
It’s snowing in Lagos: Tomisin Adepeju and Mike Omonua in conversation →
As BFI Southbank’s No Direct Flight season prepares for check-in, two of the programme’s leading, cross-continental filmmaking voices sit down for a chat.
Read MoreTHE RISE OF NIGERIAN-BRITISH FILMMAKERS →
On the 17th December 2018, London-based writer / director, Tomisin Adepeju held a screening event which may very well act as a catalyst for a new movement: the rise of Nigerian-British Filmmakers.
MA DIRECTING GRADUATE TOMISIN ADEPEJU SIGNED BY CAA →
MA Directing graduate and Nigerian-British filmmaker, Tomisin Adepeju, has just been signed by The Creative Artists Agency (CAA) – the world’s largest talent agency.
Edinburgh Film Festival reveals 2018 industry line-up →
Happy to announce that I have been selected as one of the 30 filmmakers that will take part in the four-day EIFF Talent Lab, which is supported through the Scottish Government’s Edinburgh Festivals Expo Fund.
From Nigeria to Sundance Festival 2018: Interview with film director Tomisin Adepeju →
Science at Sundance: Tomisin Adepeju’s The Right Choice →
Coverage of The Right Choice on Sloan Science & Film ahead of our Sundance Premiere.
Short Film ‘The Right Choice' by Tomisin Adepeju to premiere at 2018 Sundance Film Festival →
Multi-Award Winning Film-maker on how he made it. →
#NWDTalks with Tomisin Adepeju →
Review of Marianne - NO GLOSS FILM FESTIVAL 2016 →
Equally evocative is Tomisin Adepeju’s Marianne, which draws on Adepeju’s experiences in the African church to tell the story of a Nigerian man (Tobi Bakare) who travels to a remote Pentecostal church with his ailing wife (Vivienne Bell) in search of a miraculous cure. Adepeju’s decision to shoot Marianne on Super 16mm lends it the warmth that only celluloid is able to engender while retaining a gritty edge. Adepeju’s energetic, intuitive framing comes to the fore during the scene in which Marianne is ‘prayed on’. Marianne is an elliptical, elegiac reflection on the power of faith and the depths of devotion.
